Kickstarter Sketch-Off of Fate Tomorrow at Noon Pacific
We are in the final 7 days of the Sam and Fuzzy Omnibus kickstarter! My backers (who, typical of Sam and Fuzzy readers, are about the nicest bunch of fans a cartoonist could ask for,) suggested some pretty awesome, ambitious stretch goals and have been pushing hard to realize 'em. So I'm going to keep doing my part in the only way my cartoonist brain knows how... by drawing cool things to sell!
The COMMISSIONER (OF FATE?) tier includes a marker illustration of up to three Sam and Fuzzy characters. Now, the pledger can pick the characters and subject matter of the commission. But they can also have me select the characters and subject randomly using a die and this chart! The finished drawings look LIKE THESE:
So on Thursday (tomorrow), starting at 12 noon pacific time, I'm going to go ahead and draw a bunch of marker drawings using the chart, Sketch-Off style! You can watch me draw them on livestream, or just see me post the finished ones on twitter. And if anyone sees one they'd like to own, they can pledge the Commissioner of Fate tier and then request that drawing be their commission!
I'm not sure how many I can do (these drawings are a lot more complicated than my usual sketch-off fare), but I GUESS WE'LL FIND OUT!
The other original art news is I've added one more oversized original art tier. It's the back cover art for the Classic Omnibus, and it's a huge 11 x 17 piece that looks like THIS:
If you'd like to get it, you can nab it via the CLASSIC COLLECTOR tier.
All right! I know this is all a little more complicated than the way I usually sell my originals, but I really want to do my part to work towards that friggin' slipcase. Charge!
-Sam Logan
New Shirts! New Kickstarter Stretch Goals! NEW STUFF
Lots of exciting things happening today! First of all, I've got two new shirts on sale!
The long awaited ShipWrex (AKA: "The Oldest Profession") has arrived, as has the confusing and adorable Pokehog. If you want to get them RIGHT NOW, they are up for sale over at Topatoco! Alternately, you can get them as add-ons via the Kickstarter, and have them shipped with your Omnibus in December. Whichever option makes you the most happy is FINE WITH ME.
And speaking of the Kickstarter, I've lifted the curtain on our biggest stretch goals... new sections full of author commentary and concept art, and awesome-looking slipcases for the hardcover sets. How awesome-looking? THIS awesome-looking:
These are some big goals for some hefty additions, but as I have said a few times now, I have learned my lesson about underestimating the support of Sam and Fuzzy fans. There's still plenty of time to go, so let's see where this insane ride takes us!
-Sam Logan
Sam and Fuzzy Q & A: Panda Edition
Got a question you want answered? Just drop me an email with "Q & A" in the subject line!
"ZOMgGARDAFLLBGLARGLLSHnpt! Where are the Skull Panda updates? " -Neal
As you may have guessed, an eccentric artist like Rikk Estoban is hard to rush, especially when I am too busy to help him out!
I am sure Skull Panda will return, but I think it's going to be the kind of project that comes and goes, with regular bursts and breaks, rather than the ultra reliable comics machine that is Sam and Fuzzy! I will keep you all posted.
"I've been reading Sam and Fuzzy since 2004, and one thing I am consistently struck by is the way, even as the stories got more serious, the comedy never stopped feeling fresh. I've seen so many webcomics go from gag-based to story driven and, even when they remained wonderful, the comedy fell by the wayside every time. How is it that you have been able to keep that balance so beautifully when so many others are less successful?" -Jamie
First of all, thank you Jamie, for phrasing your question in such an outrageously flattering manner. I'm glad you like the comic so much!
Honestly, I am pretty lucky. Shifting Sam and Fuzzy to longer narratives wasn't very controversial and it didn't hurt my readership. (Quite the opposite, really.) That is not the experience of most of the other cartoonists I know who tried the same thing!
I started moving towards longer stories pretty early on in the strip's life, when the tone of the comic was still being established. And even though the change infused the comic with a lot of drama and action, it still remained primarily a comedy. It just became a comedic story, rather than series of comedic stand-alone gags. So I think that made it an easier pill to swallow. (Also, quite frankly, I think I'm just plain better at writing stories than stand alone gags, which are being done way better elsewhere by other cartoonists.)
The other big factor is, well... at this point, I've radically changed the entire premise of the comic at least a half dozen times. There wasn't really one shift. There was a constantly barrage of shifts, in style and setting and cast. I think it kind of trained my audience to not only tolerate constant change, but to expect it and even look forward to it. The lack of a constant status quo has become a core part of the comic's identity. And that has granted me a lot of freedom to keep changing things up without torpedoing my readership. (And also presumably stop things from getting boring after over ten years of comics!)
"Why ARE all the Committee members still in the Underground? Don't they have enough power to try their hand at social engineering, making certain populations gradually exposed to the Underground, and then erasing any that get too negative. Continuously building it up until it hits a major city during an incident meant to make the Underground citizens sympathetic. I'd even help crime, since the Underground would just turn into a criminal's haven. " -anon
Why, the chapter that started today is about this very issue! The members of the committee have a very specific outlook about how the world can be shaped to maintain stability and profitability, and you are about to hear all about it.
That's a wrap for this week! Come back on Monday for more comics, more crazy kickstarter news, and more stuff in general!
-Sam Logan